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It is recommended that you have your own copy of the following:
Oedipus the King by Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of theGreek in order to evoke the sense of poetry evident in the originals. Under the editorship of Peter Burian and Alan Shaprio, each volume includes a critical introduction, commentary on difficult passages, ample stage directions, and a glossary of the mythical names and geographical referencesencountered in the dialogue. Sophocles' Oedipus the King paves the way as the first in the series to appear in paperback. In this highly-acclaimed translation of the greatest of all Greek tragedies, Stephen Berg--the well-known poet--and Diskin Clay--the distinguished classicist--combine their talents to offer thecontemporary reader a dazzling version of Sophocles' timeless work. Emphasizing the intensity of the spoken language, they capture the unrelenting power of Sophoclean drama. No other English translation conveys the same terrifying emotional level, especially in the choral odes, the forcefuldescriptions of Jokasta's death, the blinding of Oedipus, and the final scene of desolation. Berg and Clay's translation--now available for the first time in paperback--both adheres strictly to the original meaning of the play and breathes new life into its language.
Call Number: 882.01 BER SOP
Publication Date: 1988
The Winter's Tale by The Winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. This 2007 edition provides a newly-edited text, a comprehensive introduction that takes into account current critical thinking, and a detailed commentary on the play's language designed to make it easily accessible to contemporary readers. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time. Special attention is paid to the ending and its tempered happiness. Performance history is integrated throughout the introduction and commentary. Textual analysis, four appendices - including the theatrical practice of doubling, and a select chronology of performance history - and a reading list complete the edition.
Call Number: 822.33 SHA
Publication Date: 2007
Tartuffe by Condemned and banned for five years in Moli#65533;re's day, Tartuffe is a satire on religious hypocrisy. Tartuffe worms his way into Orgon's household, blinding the master of the house with his religious "devotion," and almost succeeds in his attempts to seduce his wife and disinherit his children before the final unmasking.
Call Number: 842.4 MOL
Publication Date: 2002
The Pillowman by
Call Number: 822.91 MCD MCD
Publication Date: 2004
e-book and journal articles - weekly Readings
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