Possible Mediums by
Possible Mediums presents a collection of sixteen speculative design mediums by emerging architects. Each chapter defines an active medium in contemporary architecture through descriptions, drawings, and objects. Possible Mediums arranges projects according to shared technical and aesthetic traits, creating a vibrant taxonomy of design. Descriptive texts explain the working principles behind each medium and introduce design concepts intended to inspire students and professionals alike. Through its many contributors, Possible Mediums establishes design as a collective endeavor propelled by the open exchange of ideas and techniques. Possible Mediums is not a systematic theory, a manifesto, or a banal survey; it is a projection of architecture and knowledge to come.
Representational Techniques for Architecture by
The techniques used to represent architectural design are examined in Representational Techniques for Architecture. A broad array of methodologies for developing architectural ideas are described, ranging from two- and three-dimensional conceptual sketches, through to the working drawings required for the construction of buildings. The book offers a range of practical drawing methods, showing how to present and plan layouts, make conceptual sketches, work with scale, use collage and photomontage to create contemporary images, along with techniques to prepare and plan design portfolios.The book also deals with contemporary computer modelling and drawing techniques. In the second edition, 25% of the material is new: many of the images have been updated, and new case studies have been added, for example architect studios such as Coophimmelblau and C J Lim/Studio 8 architects. Additional case studies are drawn from American and international architectural practices and studios. The most up-to-date CAD technology is examined along with illustrations showing how it can be used to create architectural models and plans. The enhanced project sections encourage students to explore further the techniques that they have acquired.
Graphic Design for Architects by
Graphic Design for Architects is a handbook of techniques, explanations and examples of graphic design most relevant to architects. The book covers a variety of scales of graphic design, everything from portfolio design and competition boards, to signage and building super-graphics - to address every phase of architectural production.　 This book combines and expands on information typically found in graphic design, information design, and architectural graphics books. As architectural communication increases to include more territory and components of a project, it is important for designers to be knowledgeable about the various ways in which to communicate visually. For instance, signage should be designed as part of the process - not something added at the end of a project; and the portfolio is a manifestation of how the designer works, not just an application to sell a design sensibility. In thinking about architecture as a systematic and visual project, the graphic design techniques outlined in this book will help architects process, organize and structure their work through the lens of visual communication. Each chapter is titled and organized by common architectural modes of communication and production. The chapters speak to architects by directly addressing projects and topics relevant to their work, while the information inside each chapter presents graphic design methods to achieve the architects' work. In this way, readers don't have to search through graphic design books to figure out what's relevant to them - this book provides a complete reference of graphic techniques and methods most useful to architects in getting their work done.
Model Making by
The ancient craft of architectural model making may seem unnecessary in today's age of digital renderings and virtual tours, but physical models remain a uniquely revealing and compelling tool for the architect. More forcefully than any other way of visualizing a building, models represent ideas, as opposed to images. The sensory impact of a physical model, its materiality, is an important step in the design process. Once an idea is materialized, it exists in the real world, and the real world reacts--with limitations or opportunities, which become clear through the process of making. Amodel not only allows the designer to explore freely while testing out specific ideas but also to advance and communicate his or her ideas effectively to others.
Archidoodle by
This innovative book is the first to provide a fun, interactive way to learn about architecture. Filled with an array of beautiful and elegant drawings, it poses all manner of architectural challenges for the user: from designing your own skyscraper, to drawing an island house or creating a Constructivist monument, plus many others more. Aimed at anyone who loves drawing buildings, it encourages the user to imagine their own creative solutions by sketching, drawing and painting in the pages of the book. In so doing, they will learn about a whole range of significant architectural issues, such as the importance of site and materials, how to furnish a space, how to read plans, how to create sustainable cities and so on. The book also includes numerous examples of works and ideas by major architects to draw inspiration from and will appeal to everyone from children to students to architects.
BIG. Yes Is More. an Archicomic on Architectural Evolution by
Yes is More is the easily accessible but unremittingly radical manifesto of Copenhagen-based architectural practice Bjarke Ingels Group, or BIG.Unlike a typical architectural monograph, this book uses the comic book format to express its groundbreaking agenda for contemporary architecture. It is also the first comprehensive documentation of BIG's trailblazing practice-where method, process, instruments, and concepts are constantly questioned and redefined. Or, as the group itself says: "Historically, architecture has been dominated by two opposing extremes: an avant-garde full of crazy ideas, originating from philosophy or mysticism; and the well organized corporate consultants that build predictable and boring boxes of high standard. Architecture seems entrenched: naively utopian or petrifyingly pragmatic. We believe there is a third way between these diametric opposites: a pragmatic utopian architecture that creates socially, economically, and environmentally perfect places as a practical objective. At BIG we are devoted to investing in the overlap between radical and reality. In all our actions we try to move the focus from the little details to the BIG picture." Bjarke Ingels attracts highly talented coworkers, but also gifted and ambitious clients from all over the world. He then creates intelligent synergies from wild energies and unforeseen dynamics, and transforms them into surprising, functional, valuable, and beautiful solutions to the specific and complex challenges in each task. BIG projects have won awards from the Royal Academy of Fine Arts, and the Special Jury Prize at the Venice Architecture Biennale, as well as many other international prizes. Yes is More is a play on words that represents the company's ethos and sums up its irreverent attitude towards excessive formalism, and its determination to involve the population at large in its creations. As an extension of its methods and results, its debut monograph uses the most approachable and populist means of communication available-the comic.
Architectural Models by
"Architectural Models" is a modern manifesto for architectural model construction. This volume, conceived as a reference book, presents works by approximately 30 model-building studios in Germany, Austria and Switzerland in extensive detail. In this way, the transformation of a field rich in tradition in the CAD age is informatively sketched and information on its modern possibilities presented. The works in the book firmly emphasise the significance of the centuries-old craft of model-building in the context of European architecture from the Renaissance to the present day, and includes an introductory essay on the topic.
Architecture by
By way of more than 2,000 years of architectural history, this richly illustrated book defines and shows all the major components of the art--from theory, plans, and models to structural elements such as columns, arches, and domes, to materials and decorative elements. With beautiful color photographs on virtually every page, and precise captions that point directly to important aspects of each photo, this book provides an easy-to-use visual grammar of the nearly infinite variety with which the elements of architecture have been used in buildings across the ages and around the world--from Western Europe and Greece to the Americas, the Middle East, China, Japan, India, and Africa. Each entry includes a definition, illustrated examples, and detailed analysis and explanation, all presented in the context of architecture's historical evolution. Architecture frequently juxtaposes famous and lesser-known buildings from widely different times and places, providing delightful surprises for the expert as well as a fresh, informative, and pleasurable introduction for general readers and students.
Drawing Architecture by
We are in the second decade of the 21st century and, as with most things, the distinction between digital and analogue has become tired and inappropriate. This is also true in the world of architectural drawing, which paradoxically is enjoying a renaissance supported by the graphic dexterity of the computer. This new fecundity has produced a contemporary glut of stunning architectural drawings and representations that could rival the most recent outpouring of architectural vision in the 1960s, 1970s and 1980s. Indeed, there is much to learn by comparing the then and the now. The contemporary drawing is often about its ability to describe the change, fluctuations and mutability of architecture in relation to the virtual/real 21st-century continuum of architectural space. Times have changed, and the status of the architectural drawing must change with them. This reassessment is well overdue, and this edition of AD will be the catalyst for such re-examination. Features the work of: Pascal Bronner, Bryan Cantley, Peter Cook, Perry Kulper, CJ Lim, Tom Noonan, Dan Slavinsky, Neil Spiller, Peter Wilson, Nancy Wolf, Lebbeus Woods and Mas Yendo. Contributors include: Nic Clear, Mark Garcia, Simon Herron and Mark Morris.
The Architectural Drawing Course: Understand the Principles and Master the Practices by 
Design Drawing by
THE CLASSIC GUIDE TO DRAWING FOR DESIGNERS, REVISED AND UPDATED TO INCLUDE CURRENT DIGITAL-DRAWING TECHNIQUES Hand drawing is an integral part of the design process and central to the architecture profession. An architect's precise interpretation and freedom of expression are captured through hand drawing, and it is perhaps the most fundamental skill that the designer must develop in order to communicate thoughts and ideas effectively. In his distinctive style, world-renowned author Francis D. K. Ching presents Design Drawing, Third Edition, the classic guide to hand drawing that clearly demonstrates how to use drawing as a practical tool for formulating and working through design problems. While digital tools continue to evolve, this Third Edition includes new illustrations and information on the latest digital-drawing techniques. Design Drawing, Third Edition covers the basics of drawing, including line, shape, tone, and space. Guiding the reader step-by-step through the entire drawing process, this Third Edition also examines different types of drawing techniques such as multiview, paraline, and perspective drawings--and reveals how the application of these techniques creates remarkable results. In addition, Design Drawing, Third Edition: Features over 1,500 hand drawings--stunning illustrations in the author's signature style that reinforce the concepts and lessons of each chapter Offers new exercises and illustrative examples that range in complexity Presents all-new digital drawing topics, such as hybrid floor plans, digital models and fabrication, and hand-to-digital fluency Includes access to a new website featuring videos of the author demonstrating freehand techniques in a step-by-step manner in the studio and on location Includes access to a brand new website (Francis Ching (wiley.com)) featuring videos of the author demonstrating freehand techniques in a step-by-step manner in studio and on location. Readers will gain a greater appreciation of the techniques presented in the book through the power of animation, video, and 3D models Written and illustrated for professional architects, designers, fine artists, illustrators, instructors and students, Design Drawing, Third Edition is an all-in-one package and effective tool that clearly demonstrates drawing concepts and techniques in a visually stimulating format that outshines other works in the field.
Architectural Model Building by
Advances in computer-aided design have proven to be an invaluable tool for the architect and designer, yet Frank Gehry still begins his creative process by making "simple" models out of modest materials. Drawings and video, while an essential part of the design process, are still not substitutes for the tactile sensation one receives from a scale model. Drawing on 20 years experience in art and architecture, the author has developed this book on model making as it applies to students and professionals of the built environment. More than 300 photographs illustrate a multitude of techniques and the use of a wide variety of materials, providing a solid foundation for students and professionals to create and enjoy three-dimensional model making for interior design, architecture, landscape architecture, furniture design, theatrical design, and retail merchandising.
Conditional Design by
Conditional design is the sequel to Operative Design. This book will further explore the operative in a more detailed, intentional, and perhaps functional manner. Spatially, the conditional is the result of the operative. It is not a blind result however. Both terms work together to satisfy a formal manipulation through a set of opportunities for elements such as connections and apertures.
Operative Design by
The core idea for this book is the use of operative verbs as tools for designing space. These operative verbs abstract the idea of spatial formation to its most basic terms, allowing for an objective approach to create the foundation for subjective spatial design. Examples of these verbs are expand, inflate, nest, wist, lift, embed, merge and many more. Together they form a visual dictionary decoding the syntax of spatial verbs. The verbs are illustrated with three-dimensional diagrams andpictures of designs which show the verbs 'in action'. This approach was devised, tested, and applied to architectural studio instruction by Anthony Di Mari and Nora Yoo while teaching at Harvard University's Career Discovery Program in Architecture in 2010. As instructors and as recent graduates, they saw a need for this kind of catalogue from both sides - as a reference manual applicable to design students in all stages of their studies, as well as a teaching tool for instructors to help students understand the strong spatial potential of abstract operations.
Folding Techniques for Designers by
"This highly practical release covers more than 70 different techniques, and teaches designers how to make such works through step-by-step examples and a CD containing pre-designed folding patterns" - Computer Arts Folding Techniques for Designers is a practical handbook, written by an expert in paper folding and origami, with specially commissioned step-by-step drawings and photographs clearly explaining over 70 folding techniques. Many, if not most designers use folding techniques in their work to make 3D forms from 2D sheets of fabric, cardboard, plastic, metal and many other materials. This unique book explains the key techniques of folding, such as pleated surfaces, curved folding and crumpling. It has applications for architects, product designers, and jewelry and fashion designers. Folding Techniques for Designers explains over 70 different folds, explained with clear step-by-step drawings, crease pattern drawings, and specially commissioned photography. All crease pattern drawings are available to view and download at laurenceking.com Author Paul Jackson has released more than 30 books on paper arts and crafts. He has taught the techniques of folding on more than 150 university-level design courses in the UK, Germany, Belgium, the US, Canada and Israel. These include courses of Architecture, Graphic Design, Fashion Design, Textile Design, Jewelry, Product Design, Packaging, Ceramics, Industrial Design, Fine Art, Basic Design and Interior Design. From the introduction: "All designers fold. That is, all designers crease, pleat, bend, hem, gather, knot, hinge, corrugate, drape, twist, furl, crumple, collapse, wrinkle, facet, curve or wrap two-dimensional sheets of material, and by these processes of folding, create three-dimensional objects. These objects will perhaps not be origami-like in appearance, or the folding may only be a detail, but most will nevertheless have been folded - wholly or in part - in some way. Since almost all objects are made from sheet materials (such as fabric, plastic, sheet metal or cardboard), or are fabricated from components used to make sheet forms (such as bricks - a brick wall is a sheet form), folding can be considered one of the most common of all design techniques. And yet, despite being so ubiquitous, folding as a design topic is rarely studied. Perhaps this is because the folded content in a designed object is often unrecognized, or merely incidental, or because folding is synonymous with origami, with brightly colored squares and children's hobbycrafts (an image of origami now several decades out of date). Folding is rarely an inspiration for designers. At least, that is how it used to be. In recent years, more and more designers of all disciplines have turned to folding to create a wide range of handmade and manufactured objects, both functional and decorative. A little time spent looking through design and style magazines will reveal a significant number of folded products, from apparel to lighting and from architecture to jewelry. Origami is one of the most vibrant buzzwords in contemporary design." -- Paul Jackson
Architectural Expressions by
Architectural Expressions turns on its head the notion that architecture must be deadly serious in order to be valid. It is a testament to the wit and inventiveness of a selection of architects and building designers over the last century who have injected a sense of fun into the built environment. Over the last 30 years, brothers Peter and Tony Mackertich have travelled the western world seeking out buildings which are inspiring, innovative, and show a touch of humour. Their stunning colour photographs bear witness to the fact that it is possible to make legitimate architecture whilst still retaining a smile. Boldly juxtaposing 'high' architecture with less recognised structures, the book traces the development of the spirit of fun in 20th-century building design. Buildings featured include: * Einstein Tower, Potsdam, Germany (Erich Mendelsohn, 1919-24) * Hoover Factory, London, UK (Wallis, Gilbert and Partners, 1932) * Pan-Pacific Auditorium, Los Angeles, USA (William Wurdamen, 1936) * AT&T Headquarters, New York, USA (Philip Johnson & John Burgee, 1982) * Guggenheim Museum, Bilbao, Spain (Frank O Gehry, 1997) * Peckham Library, London, UK (Will Alsop, 2000) For too long the complex theories of architecture have tended to alienate the man in the street. Happily we have now reached a time when the same buildings that are admired by architects for their cutting-edge innovations are also appreciated by the general public for their wit and visual appeal. This book will delight anyone with either a personal interest or an active role in the design of the built environment - and a sense of humour!
Perspective Drawing for Interior Space by
Using step-by-step instructions together with line-colored drawings, Perspective Drawing for Interior Space offers procedural instruction that covers freehand and technical one-, two-, and three-point perspectives. This text begins with the basic fundamentals of perspective by utilizing geometric shapes (cubes, cones, pyramids) and then advances beyond the core skills, to creating furniture, and finally, complete interior spaces. Students will learn to use grids to help them draw scale and proportion in perspective. The text also teaches students to use floor plans and elevations to create these drawings.
Architects' Data by
An indispensable tool for the beginning stages of designing and planning a building project This new edition of a classic, bestselling text provides, in one concise volume, the essential information needed to form the framework for the more detailed design and development of any building project. Organized largely by building type, it covers planning criteria and considerations of function and siting--and with over 6200 diagrams, it provides a mass of data on spatial requirements. Most of the featured illustrations are dimensioned and each building type includes plans, sections, site layouts, and design details. The book also includes an extensive bibliography and detailed set of metric/imperial conversion tables. Architects' Data starts with the basics of designing for a new building project, before moving on to covering everything an architect needs to know. It also looks at the design styles and specifications for creating different types of structures, such as those made for residential, religious, cultural, sports, medical, and other types of occupation. Covers user requirements, planning criteria, basic dimensions, and considerations of function and siting Includes numerous examples and over 6200 illustrations and tables 5th English edition of the classic, international reference for architects Architects' Data is an excellent resource for architects, building surveyors, space planners, and design and build contractors everywhere.
AAD, Algorithms-aided design : parametric strategies using Grasshopper by 
Key buildings of the 20th century : plans, sections and elevations by 