Pop-Up City by
Pop-UpCity.net is a blog that explores the latest designs, trends, and ideas that shape the city of the future; always looking for new concepts, strategies, and methods for a dynamic and flexible interpretation of contemporary urban life. Now it has turned into a beautiful, inspiring book that tells a remarkable story of cities and urban design in a fluid world.
The Urban Design Process by
This useful guide sets out clearly the urban-design process in practice, from initial site analysis through consultation, design development, and design delivery across a range of scales within the built environment. It provides a clear overview of the role that urban design and urban designers play in shaping and creating places today and how designers conceive and deliver contextually responsive, high-quality design solutions. Beginning with a brief history of contemporary urban design, the book tracks urban design's roots in architecture and planning and identifies how and why it has emerged as a separate discipline. It then sets out the principles and key criteria that underpin urban design and explains how urban designers interpret policy, baseline data, and graphical analysis to present an understanding of place and space. Following the urban design process through concept development/strategic framework provisions to public consultation and final design, the book discusses subjects such as costing, phasing, construction, post-construction monitoring, and maintenance. It describes the complexity of project management in delivering large-scale projects, such as master planning and major public-realm and civic schemes. Illustrated with a series of international case studies, the book concludes by highlighting a number of growing urban challenges facing cities today, discussing how urban design can play a leading role in tackling issues connected with climate change, globalization, and technological advancements, as well as how it can respond positively to the current and future needs of society.
Epic Space by
Epic Space is a hilarious take on contemporary culture as viewed through the twisted prism of 'Martin', amoral architectural consultant with a penchant for a long lunch and powerful friends, including members of the Cabinet and HRH the Prince of Wales. Written in weekly diary form, Martin's is a mad and woozy version of our own: one in which Martin and his friend, the nanofuturologist Beansy, can invent Kryptogel - a newbuilding material developed using 'hard air'. It's a world where the property wing of the Church of England builds buy-to-let almshouses while 'bouncy mega-mosques' have helium-stiffened minarets. An arts correspondent is sacked by a Sunday newspaper and replaced with his own overdressed architectural dachshund. Soot becomes a valuable stock market commodity. A hipster skyscraper is called the Blard. And an ambitious planis hatched to turn the North around so that it faces south. Big questions are asked: Is Texture The New Fragrance? Is Modern Modernism Just Post-Modernism But With A Neo-Modernistic Coat On? How Fat is Your Face print? And, reassuringly, there are still plenty of boozy lunches.
Building and dwelling by
The third in a series of three books about the ways in which we can reform society by reconnecting with different forms of self-expression
David Adjaye: Constructed Narratives by
Constructed Narratives brings together essays and several recently completed buildings by David Adjaye, in the United States and elsewhere. In the essays, Adjaye shows how his approach to the design of temporary pavilions and furniture, private houses, and installations at the 2015 Venice Biennale feeds into his designs for public buildings. Other essays discuss his engagement with geography, the urban environment, his approach to materiality, and architectural types. The presented projects include two public libraries and the National Museum of African American History and Culture, all in Washington D.C., a residential mixed-use building in New York, and a hybrid art-retail building in Beirut. Two of Adjaye's current projects are also included. Approx. 350 photos
What is Small-Scale Architecture? by 
Architecture Beyond Experience by
Architecture Beyond Experience is a work in the service of one goal: the bringing about of a more relational, "posthuman" and yet humanist strain in architecture. It argues against the values that currently guide much architectural production (and the larger economy's too), which is the making, marketing, and staging of ever more arresting experiences. The result, in architecture, is experientialism: the belief that what gives a building value, aside from fulfilling its shelter functions, is how its views and spaces make us personally feel as we move around it. The book argues that it's time to find a deeper basis for making and judging architecture, a basis which is not personal-experience-multiplied, but which is dialogical and relational from the start. It uses the word relational to describe an architecture that guides people in search of encounter with (or avoidance of) each other and that manifests and demonstrates those same desires in its own forms, components, and materials. Buildings are beings. When architecture, they teach as well as protect; they tell us who we were and who we want to be; they exemplify, they deserve respect, invite investment, and reward affection. These are social-relational values, values that both underlie and go beyond experiential ones (sometimes called "phenomenological"). Such relational values have been suppressed, in part because architects have joined the Experience Economy, hardly noticing they have done so. Architecture Beyond Experience provides the argument and the concepts to ultimately re-center a profession.
The Dissolution of Buildings by
Can an architect pass through walls? Can the city permeate a house? In The Dissolution of Buildings, architect Angelo Bucci presents projects in his native São Paulo and abroad. Advocating an architecture that is "the opposite of global action," his work responds to the topography of the city and to its urban environment. In a lecture delivered at Columbia University's Graduate School of Architecture, Planning and Preservation, Bucci discusses work designed with his firm SPBR, projects that span from the scale of the house to the city. His built work is here accompanied by an excerpt from his doctoral dissertation, which explores how the devices available to architecture--and the sectional manipulation of groundplanes in particular--can mitigate some of the inequities and exclusions built in to the fabric of the contemporary city. An essay by Kenneth Frampton frames these projects within the rich lineage of Brazilian house design and members of the Paulista school such as Paulo Mendes da Rocha and João Batista Vilanova Artigas.
Living Bridges by
"Until 1763 Old London Bridge boasted a famous parade of timber shops and houses on either side of a narrow street. Most of these had survived the Great Fire of London in 1666, but the nineteen piers built to bear the clusters of buildings above restricted the flow of the Thames to such an extent that the water roared through the arches as the tide turned, creating a dangerous weir for the many boats that plied the river. Two hundred years ago entire communities were supported on such habitable bridges throughout Europe. During the eighteenth and nineteenth centuries they were demolished in favour of purely vehicular bridges." "Living Bridges, the first book ever to be published on the subject, examines the contributions that inhabited bridges have made to city life from the Middle Ages to the present day, and explores the role they could play in the future. The history and construction of major inhabited bridges across Europe and North America are discussed in detail. In Europe these include Old London Bridge, the Ponte Vecchio in Florence, the Ponte di Rialto, Venice, and the Pont de Notre-Dame in Paris, as well as contemporary projects by Richard Rogers, Alsop and Stormer, SITE, Morphosis, Mario Bellini, Bernard Tschumi and other leading architects. The book is copiously illustrated and contains photographs of some of the specially commissioned large-scale models of twenty of the most notable "living bridges" in history, together with numerous reproductions of period drawings and paintings, as well as photographs of extant bridges."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Carme Pinós by
Not only a complete monograph of Carme Pinós' architectural oeuvre, Carme Pinós: Architects traces the development of her practice over several decades via an in-depth investigation of the recurring themes and concerns that inform her work. Through studies of significant city projects and selected works, critical contributions from Peter Smithson, Daniela Colafranceschi, Rafael Moneo, Pedro Azura, Rafael Argullol, Francis Rambert, Juan Jose Lahuerta, Josep Quetglas, Magdelena Jaume and from Carme Pinós herself, come together to elucidate the motivations of one of the most compelling figures currently working in the contemporary architectural landscape. This publication journeys from Pinós early collaborations with Enric Miralles, characterised by an exploration of natural materials and forms that merge with their setting, to the evolution of her own emphatic works--a striking articulation of complex shapes and spaces that maintain a clear commitment to the quality of construction while perfectly integrating with the environment, whether natural or urban. Carme Pinós: Architects is a comprehensive overview of the atypical architectural expression of Carme Pinós' truly unique and intriguing practice.
X-Ray Architecture by
This book explores the impact of medical discourse and diagnostic technologies on the formation, representation, and reception of modern architecture. It challenges the normal understanding of modern architecture by proposing that the architecture of the early twentieth century was shaped by the dominant medical obsession of its time: tuberculosis and its primary diagnostic tool, the X-ray.If architectural discourse has from its beginning associated building and body, the body that it describes is the medical body, reconstructed by each new theory of health. Modern architects pre- sented their architecture as a kind of medical instrument for protecting and enhancing the body. X-ray technology and modern architecture were born around the same time and evolved in parallel. While the X-ray exposed the inside of the body to the public eye, the modern building unveiled its interior, inverting the relationship between private and public.Colomina suggests that if we want to talk about the state of the art in buildings, we should look to the dominant obsessions about illness and the latest techniques of imaging the body-and ask what effects they may have on the way we conceive architecture. AUTHOR: Beatriz Colomina is founding director of the program in Media and Modernity at Princeton University and Professor in the School of Architecture. She has written extensively on the inter- relationships between architecture, art, media, sexuality, and health. SELLING POINTS: *This book discusses a new, compelling theory in architecture that has not been widely discussed before. The author parallels the development of the X-ray with the development of modern architecture. *This book discusses architecture from the early twentieth century to today.
Cut and Paste Urban Landscape by
During the post-war era, the emerging consumer economy radically changed both the discourse and practice of architecture. It was a time where architecture became a mainstream commodity whose products sold through mass media; a time in which Thomas Gordon Cullen came to be one of Britain's best-known twentieth-century architectural draftsmen. Despite Cullen's wide acclaim, there has been little research into his life and work; particularly his printed images and his methods of operation. This book examines Cullen's drawings and book design and also looks into his process of image making to help explain his considerable popularity and influence which continues to this day. It presents the lessons Cullen had to offer in today's design culture and practice and looks into the post-war consumerist design strategies that are still used today.
The Architecture of Glenn Murcutt by 
Thomas Heatherwick: making by
Revised and expanded edition How do you turn a paper mill into a gin distillery? Let every country in the Olympic Games take part in making and lighting the Olympic Cauldron? Design a building using an electron microscope? Produce a new bus for London that uses less fuel? Make someone eat your business card? Develop a new kind of mosque? Turn the back door of a hospital into its front door? Grow a meadow in the center of a city? Generate the form of a building in less than a minute? Use saliva as an ingredient of a Christmas card? Create a piece of architecture that represents a nation? This is the definitive publication on one of the world's most exceptional designers. More than 600 pages, 140 projects and hundreds of photographs, illustrations, and sketches, this revised and expanded monograph will excite, inspire, and serve as an invaluable resource for creative solutions and the joy of making for many years to come.
We Own the City by
We Own the City examines the ways in which urban dwellers--who used to be merely "clients" of development--are taking ownership of their neighborhoods. Bottom-up initiatives are cropping up around the world, but institutions, government offices and developers often find themselves uncertain how to collaborate with and empower these impassioned citizens and communities. Offering solutions to this disconnect, We Own the City analyzes this international trend through five case studies, focusing on Amsterdam, Hong Kong, Moscow, New York and Taipei, each of which discusses different dynamics and intensities of citizens' redevelopment processes. This volume delves into the complexities surrounding the role of today's city-makers and the potential and actual tensions between civil society and government, and it further provides new foundations for inclusive urban development plans which will set the standard for future public governments, housing authorities, architects, town planners and real-estate developers.
Feminist City: Claiming Space in a Man-Made World by 
Future Schools by
Uniquely Future Schools not only provides design guidance on themes in schools architecture and a wealth of recent innovative projects drawn from the UK but also an understanding of the socio-political and economic context that any practice must work within when taking on a schools project. It balances beautiful visuals and innovative case studies with in-depth discussion of the thought processes and issues to consider in good school design. Reflecting on ambitious projects during the BSF period of high investment and post-BSF creativity and innovation during austerity it considers the next phase of school design shaped by growing student numbers, diversity in project types and routes and the growing opportunities for smaller practices as work on existing buildings becomes more common.　
O+H 8 Stories Onishimaki + Hyakudayuki. by 
Black: Architecture in Monochrome. by
A stunning journey through the world's most dramatic and inspiring black architecture - now in a cool, compact new format In this sleek, stylish and easy-to-use new size, Black: Architecture in Monochromehighlights the exquisite elegance of black in the built world through more than 150 structures. From ancient churches to contemporary skyscrapers, Blackdemonstrates how hues from ebony to onyx have been beloved by architects for centuries. Insightful texts paired with striking photography bring to life these captivating buildings including works by Mies van der Rohe, Philip Johnson, David Adjaye, Jean Nouvel, Peter Marino, and Steven Holl.
Dynamics of Periphery by
Incorporating architecture, urban design and territorial planning, this atlas provides concepts and strategies for building new community centers and livable spaces in both urban and rural settings, and explores periphery as a chance and model for future development.
The Urban Block by
The block is no more than the land and building area defined by streets. It is the nature of the interface between the two, which has a critical impact on the quality of the spaces between those buildings. The importance of the block to city life is well rehearsed, and in any case, we seldom find ourselves in the business of making cities from scratch. But we are in the business of making new houses, neighbourhoods and new local centres, and we need lots of them: 250,000 a year to be imprecise. Against the background of a burgeoning housing shortage in the UK, there are varied issues to be reconciled. The Urban Block charts the fall and rise of the perimeter block as the staple of urban form and structure from ancient times. It takes you through the process of understanding, defining, structuring and designing the block. Carefully selected urban and suburban case examples explain "do's and don'ts" of good block layout and will help you to produce better masterplans, while staying in touch with commercial realities.
Linking Architecture and Education by
For the past forty years Anne Taylor has studied how schools, classrooms, playgrounds, homes, museums, and parks affect children and how they learn. As a result, she has developed a holistic, sustainable philosophy of learning environment design. She argues persuasively that architects must integrate their design knowledge with an understanding of the developmental needs of learners, while at the same time educators, parents, and students must broaden their awareness of the built, natural, and cultural environment to maximize the learning experience. In other words, schools and other environments can themselves become "three-dimensional textbooks." When architects are cognizant of newer models of education and educators view the environment as more than a box in which to teach prescribed lessons, the result is an informed architecture that enables children to discover the power of their own learning. The book presents numerous examples of dynamic designs that are the result of interdisciplinary understanding of place. Taylor includes designer perspectives, forums derived from commentary by outside contributors involved in school planning, and a wealth of photographs of thoughtful and effective solutions to create learning environments from comprehensive design criteria. Because the concept of "school" is enlarged to a community campus, the book also spawns a new model of teaching and learning. This book is essential reading for educators, architects, and community members who are anxious to transform education in America and elsewhere. "Anne Taylor is the most outstanding educator, leading proponent, and practitioner in the three-dimensional textbook field. Her work is the finest resource available for connecting students (young and old) to their learning environments, and visa versa."--Edward E. Kirkbride, NCARB, REFP "Before Western man divided the universe into discrete subject matter areas, the order in the universe was (and still is) both interdisciplinary and holistic. The branching of trees, spiraling of shells, meandering of streams, and the radial designs of flowers, for example, represent an analogy of mathematics, biology, and art. The current artificial separation of subject matter is in contrast to the way the world is constructed and the way children perceive it. Architecture and the study of the built, natural, and cultural environment synthesize the world of material things and the world of ideas. Further more, it helps us to realize that we are a part of not apart from the environment. This book is a tool and a gift to designers, educators, and students everywhere to assist them in seeing the meaning behind all that we view and use for living on earth. To know our precious relationship to our surroundings is the intent of this book. In this way, life is a work of art and each of us is an artist."--Anne Taylor
Cities of Power by
Why are cities centers of power? A sociological analysis of urban politics In this brilliant, very original survey of the politics and meanings of urban landscapes, leading sociologist Göran Therborn offers a tour of the world's major capital cities, showing how they have been shaped by national, popular, and global forces. Their stories begin with the emergence of various kinds of nation-state, each with its own special capital city problematic. In turn, radical shifts of power have impacted on these cities' development, in popular urban reforms or movements of protest and resistance; in the rise and fall of fascism and military dictatorships; and the coming and going of Communism. Therborn also analyzes global moments of urban formation, of historical globalized nationalism, as well as the cities of current global image capitalism and their variations of skyscraping, gating, and displays of novelty. Through a global, historical lens, and with a thematic range extending from the mutations of modernist architecture to the contemporary return of urban revolutions, Therborn questions received assumptions about the source, manifestations, and reach of urban power, combining perspectives on politics, sociology, urban planning, architecture, and urban iconography. He argues that, at a time when they seem to be moving apart, there is a strong link between the city and the nation-state, and that the current globalization of cities is largely driven by the global aspirations of politicians as well as those of national and local capital. With its unique systematic overview, from Washington, D.C. and revolutionary Paris to the flamboyant twenty- first-century capital Astana in Kazakhstan, its wealth of urban observations from all the populated continents, and its sharp and multi-faceted analyses, Cities of Power forces us to rethink our urban future, as well as our historically shaped present.
Architecture and Disjunction by
Avant-garde theorist and architect Bernard Tschumi is equally well known for his writing and his practice. Architecture and Disjunction, which brings together Tschumi's essays from 1975 to 1990, is a lucid and provocative analysis of many of the key issues that have engaged architectural discourse over the past two decades-from deconstructive theory to recent concerns with the notions of event and program. The essays develop different themes in contemporary theory as they relate to the actual making of architecture, attempting to realign the discipline with a new world culture characterized by both discontinuity and heterogeneity. Included are a number of seminal essays that incited broad attention when they first appeared in magazines and journals, as well as more recent and topical texts.Tschumi's discourse has always been considered radical and disturbing. He opposes modernist ideology and postmodern nostalgia since both impose restrictive criteria on what may be deemed "legitimate" cultural conditions. He argues for focusing on our immediate cultural situation, which is distinguished by a new postindustrial "unhomeliness" reflected in the ad hoc erection of buildings with multipurpose programs. The condition of New York and the chaos of Tokyo are thus perceived as legitimate urban forms.
The Autonomous City by
"A radical history of squatting and the struggle for the right to remake the city The Autonomous City is the first popular history of squatting as practised in Europe and North America. Alex Vasudevan retraces the struggle for housing in Amsterdam, Berlin, Copenhagen, Detroit, Hamburg, London, Madrid, Milan, New York, and Vancouver. He looks at the organisation of alternative forms of housing--from Copenhagen's Freetown Christiana to the squats of the Lower East Side--as well as the official response, including the recent criminalisation of squatting, the brutal eviction of squatters and their widespread vilification. Pictured as a way to reimagine and reclaim the city, squatting offers an alternative to housing insecurity, oppressive property speculation and the negative effects of urban regeneration. We must, more than ever, reanimate and remake the urban environment as a site of radical social transformation"--
School Design Together by
The time is ripe for interdisciplinary, collaborative approaches to school design. Whatever the current funding limitations, we still need to think about how we design, organise and use space in schools for learning and teaching. This edited book ensures that we don't start from ground zero in terms of good design. Including chapters from researchers and practitioners in architecture and education, it assesses, describes and illustrates how education and environment can be mutually supportive. The centrality of participation and collaboration between architects, educators and school users holds these diverse contributions together. The book embodies the practice as well as the principle of interdisciplinary working. Organised in two parts, this volume considers how schools are designed and used with chapters looks at current and past school environments in the UK, US and Europe. It then questions how the learning environment can be improved through participatory design processes with contributors from design and education backgrounds offering both theoretical understanding and practical ideas. Written without subject-specific jargon or assumptions, it can be used by readers from either an architectural or educational background, bridging the on-going communication gap between education and design professionals. Design and education professionals alike will appreciate the: *　practical information which shows how to change or improve a learning environment *　focus on evidence-based research *　case studies and chapter topics including schools from across the primary and secondary sectors.
Generative Design by
Generating form is one of the most fundamental aspects of architectural education and practice. While new computational tools are enabling ever more unpredictable forms, critics argue that this leads to a disconnection between architectural output and its context. This attractive, pocket-sized book uses 12 different architectural projects to explore how generative design processes can integrate digital as well as physical design tools and techniques to produce innovative forms that cohere with structural and material principles, performance, and context. Illustrated with drawings, computer images, and models, this stimulating, accessible handbook of ideas provides a guide for students as well as an inspiration for practicing architects.
Practice by
Conversant in contemporary theory and architectural history, Stan Allen argues that concepts in architecture are not imported from other disciplines, but emerge through the materials and procedures of architectural practice itself. Drawing on his own experience as a working architect, he examines the ways in which the tools available to the architect affect the design and production of buildings. Thisnbsp;second edition includes revised essays together with previously unpublished work. Allen's seminal piece on Field Conditions is included in this reworked, revised and redesigned volume. A compelling read for student and practitioner alike.
Design by
This is the second in a must-have series of step-by-step guides to using the new RIBA Plan of Work 2013 on your project. Drawing together stages 2 and 3 this book explains the importance of the Concept Design and Developed Design, how to achieve a balance of creativity and method and how it should interact with the briefing and construction phases. Providing a practical tool to running an efficient project each guide follows the same format leading you through the core tasks at each stage supported by tips, definitions, templates and useful techniques. Five theoretical scenarios are used throughout the guides to illustrate how the Plan of Work can be applied on various project types and sizes including an extension to a house, a new library and a large office building. These guides will provide unrivalled support for practices on all projects - large and small - and across all types of procurement.
Materials for Architectural Design by
In architectural education the study of materials and the study of design are often treated as separate areas of discourse, when in reality the two are utterly intertwined. The choice of construction materials affects the look and feel of built form, while inspired design sense injects life into a building's ingredients.This book is aimed at students of architecture and young practising architects. Through its detailed descriptions of glass, concrete, wood, metals and plastics - covering their unique properties, histories and various forms - the book lays the educational foundation for any aspiring architect. Each section features 10-12 case studies including plans, sections, elevations and details, together with colour photographs illustrating the inspired and widely varied ways in which these materials can be applied. Among the case studies are works by Steven Holl, Shigeru Ban, Rural Studio, Campo Baeza, Arets and many others.
Materials for Architectural Design 2 by
As architecture and design programmes throughout the world break out of the classroom and adopt the holistic methods of design/build programs, Materials for Architectural Design 2 is a survey that bridges the gap between construction materials and design sensibility. Authors Victoria Ballard Bell and Patrick Rand have revisited the format of their award-winning first volume and present sixty new case studies of materials put to imaginative use by today's brightest architects. Bell and Rand introduce each material type - glass, concrete, wood, metal, plastic and masonry units - with new text describing its history and significance. Accessible case studies highlight recent advances in design and construction around the world - from a wooden church in Finland (JKMM Architects) and hand-crafted bamboo huts in Thailand (TYIN Tegnetsue Architects) to a bank encased in a glass shroud in Denmark (Schmidt Hammer Lassen Architects) and a museum faced with thousands of multicoloured ceramic rods in Germany (Sauerbruch Hutton). In a materials landscape that constantly changes to meet the demands of contemporary designers, Materials for Architectural Design 2 is an up-to-date guide to the best and most exciting materials at their disposal.
The Indoor Environment Handbook by
Winner of the Choice Outstanding Academic Titles of 2010 award.Ensuring that buildings are healthy and comfortable for their occupants is a primary concern of all architects and building engineers. This highly practical handbook will help make that process more efficient and effective.It begins with a guide to how the human body and senses react to different indoor environmental conditions, together with basic information on the parameters of the indoor environment and problems that can occur. It then moves on to give a background to the development of the study and control of the indoor environment, examining the main considerations (including thermal, lighting, indoor air and sound-related aspects) for a healthy and comfortable indoor environment and discussing the drivers for change in the field. The final section presents a new approach towards health and comfort in the indoor environment, where meeting the wishes and demands of the occupants with a holistic strategy becomes the over-riding priority. The book is filled with useful facts, figures and analysis, and practical methods that designers who are keen to assess and improve the user experience of their buildings will find invaluable.
Prototyping for Architects by
The first overview of how new digital design and fabrication techniques offer new possibilities for prototyping in architecture A new paperbackoverview of how digitaldesign and fabricationtechniques offer ground-breaking possibilitiesfor prototyping inarchitecture. Prototyping is an essential part of designers' repertoires, allowing them to test their projects from structural, aesthetic, and technical standpoints. Prototyping for Architects examines how architects are combining new digital design and fabrication technologies with traditional hands-on building techniques to gain more insight into the strengths and weaknesses of their designs. Beginning with an introduction charting the rise of prototyping in design history, this cutting-edge volume for students and professionals presents an extensive range of prototyping techniques, followed by a selection of 30 projects by leading contemporary international architects. Jane and Mark Burry explain how prototyping at a miniature scale helps communicate complex spatial ideas; how prototyping empowers the architect-designer to test and prove a building's feasibility; and how additive (3D printing) or subtractive (robotic milling) prototyping can lead to exciting new design possibilities. A reference section, which includes a glossary of technical terms, offers further information and clarification. Prototyping is an essential part of designers' repertoires, allowing them to test their projects from structural, aesthetic, and technical standpoints. This new paperback edition of Prototyping for Architects examines how architects are combining new digital design and fabrication technologies with traditional, hands-on building techniques to gain more insight into the strengths and weaknesses of their designs. Beginning with an introduction charting the rise of prototyping in design history, this cutting-edge volume for students and professionals presents an extensive range of prototyping techniques, followed by a selection of thirty projects by leading contemporary international architects. Authors Jane and Mark Burry explain how prototyping on a miniature scale helps communicate complex spatial ideas, how prototyping empowers the architect-designer to test and prove a building's feasibility, and how additive (3-D printing) or subtractive (robotic milling) prototyping can lead to exciting new design possibilities. A reference section, which includes a glossary of technical terms, offers further information and clarification.
Constructing Architecture by
This internationally prizewinning volume now appears in its third, revised and expanded edition. Since the first edition was published in 2005, it has been adopted as a textbook at many universities. Organized into chapters on building materials ("Materials-Modules"), building components ("Elements" and "Components"), building methods ("Structures"), and building examples ("Buildings") the book now includes a new section on stairs and lifts as well as one on structural shell, fitting out and premium structural shell. The chapter "Structures" now comprises information about the typologies of "courtyard house vs. veranda house". Furthermore, the examples section has been expanded to cover three new projects whose designing processes are documented comprehensively and systematically step by step. Experience with the preceding edition has shown that the book has become an indispensable handbook for reference and reading. Not only for students and teachers, but also for architects.
Designing the Compassionate City by
Designing the Compassionate City outlines an approach to urban design that is centred on an explicit recognition of the inherent dignity of all people. It suggests that whether we thrive or decline--as individuals or as a community--is dependent on our ability to fulfil the full spectrum of our needs. This book considers how our surroundings help or hinder us from meeting these needs by influencing both what we can do and what we want to do; either inspiring us to lead healthy, fulfilled lives or consigning us to diminished lives tainted by ill health and unfulfilled potential. Designing the Compassionate City looks at how those who participate in designing towns and cities can collaborate with those who live in them to create places that help people to accumulate the life lessons, experiences and achievements, as well as forge the connections to meet their needs, to thrive and to fulfil their potential. The book explores a number of inspiring case studies that have sought to meet this challenge and examines what has worked and what hasn't. From this, some conclusions are drawn about how we can all participate in creating places that leave a lasting legacy of empowerment and commitment to nurturing one another. It is essential reading for students and practitioners designing happier, healthier places.
Briefing by
This is the first in a must-have series of step-by-step guides to using the new RIBA Plan of Work 2013 on your project. Drawing together Stages 7, 0 and 1 this book is about much more than briefing; it guides you through the brand new Stage 0 - Strategic Definition - as well as how Stage 7 - In Use - can feed into the definition process reflecting the circular principles of the new Plan of Work. Providing a practical tool to running an efficient project each guide follows the same format leading you through the core tasks at each stage supported by tips, definitions, templates and useful techniques. Five theoretical scenarios are used throughout the guides to illustrate how the Plan of Work can be applied on various project types and sizes including an extension to a house, a new library and a large office building. These guides will provide unrivalled support for practices on all projects - large and small - and across all types of procurement.
Studies in Tectonic Culture by
Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present.Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture. Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton-the focus on architecture as a constructional craft-constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past. Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde." A copublication of the Graham Foundation for Advanced Studies and The MIT Press.
Architecture Timed by
The traditional veneration of architecture for its monumental and enduring qualities seems to be changing. Architects and other designers are moving away from seeking permanence towards a more open, creative use of what time has to offer. This is revealed in new approaches to historic preservation, the proliferation of temporary structures, concerns regarding sustainability, and the employment of time-efficient processes. Architecture Timed explores the role of ideas about time in the design inclinations and choices of contemporary designers of the environment. Contributors consider how the new can be incorporated into the old; how designing for the very short term has significant advantages; how what is temporary can be re-used; and how the design of materials, buildings and landscapes can improve sustainability and enhance experiences of time passing. Many designers have replaced the ideal of 'timelessness' and the view of time as a series of singular, static moments with an enriched and more nuanced perspective, treating time as a source of inspiration to be embraced, not a condition to be defended against. Contributors include: Juhani Pallasmaa, Brian McGrath, Federica Goffi, Jill Stoner, Richard Garber and Eric Parry. Designers featured include: Agence Ter, Shigeru Ban, BanG Studio, Diller Scofidio + Renfro, EMF Landscape Architects, Gluck+, GRO Architects, Interboro Partners, Toyo Ito, Kengo Kuma, Enric Miralles, Eric Parry Architects, Carlo Scarpa, Taylor Cullity Lethlean, UNStudio and Peter Zumthor.
Parametric Design for Architecture by
Architects use computer-aided tools to help them visualize their ideas and build models of their designs. However, the majority of these models are built in such a way that it makes them difficult to modify interactively. Parametric design software addresses this problem by allowing architects to specify relationships among various parameters of their design model. The advantage is that a designer can then change a few parameters and the remainder of the model will react and update accordingly and in a consistent manner based on the pre-set associative rules. Through a detailed description of various parametric, generative, and algorithmic techniques, this book provides a practical guide to generating geometric and topological solutions for various situations, including explicit step-by-step tutorials that will enable the reader to understand both general concepts and specific computational algorithms. While the techniques and algorithms can be generalized to suit to any parametric environment, the book illustrates its concepts using the scripting languages of one of the most powerful 3D visualization and animation design software systems (Autodesk 3ds Max MAXScript), one of the most popular open-source Java-based scripting environments (Processing), and a brand new language specifically tailored for parametric and generative design (Autodesk DesignScript). This clear, accessible book will have a wide appeal to students who would like to experiment more with parametric techniques but lack the skills and knowledge to do so. Includes a foreword by Robert Woodbury and an afterword by Brian Johnson.
The Material Imagination by
In recent years architectural discourse has witnessed a renewed interest in materiality under the guise of such familiar tropes as 'material honesty,' 'form finding,' or 'digital materiality.' Motivated in part by the development of new materials and an increasing integration of designers in fabricating architecture, a proliferation of recent publications from both practice and academia explore the pragmatics of materiality and its role as a protagonist of architectural form. Yet, as the ethos of material pragmatism gains more popularity, theorizations about the poetic imagination of architecture continue to recede. Compared to an emphasis on the design of visual form in architectural practice, the material imagination is employed when the architect 'thinks matter, dreams in it, lives in it, or, in other words, materializes the imaginary.' As an alternative to a formal approach in architectural design, this book challenges readers to rethink the reverie of materials in architecture through an examination of historical precedent, architectural practice, literary sources, philosophical analyses and everyday experience. Focusing on matter as the premise of an architect's imagination, each chapter identifies and graphically illustrates how material imagination defines the conceptual premises for making architecture.
Design Process in Architecture by
Every building starts with an idea. But how do you get from a concept to a piece of architecture? Why do some ideas work better than others? What is a "good" design? Questions like these can make design seem mystifying, especially because the answer is that there is no one right way to design. But understanding how the design process works is an essential part of an architecture student's development - and one of the most powerful tools a designer can wield. This friendly guidebook will help students with all aspects of the design process, with examples drawn from all types of architecture. It also gives students the tools to develop their own unique ways of working. With accessible text and hundreds of images, this is an indispensable and illuminating guide for beginning architecture students as well as anyone who is curious about how design works.
Construction by
This is the third in a must-have series of step-by-step guides to using the new RIBA Plan of Work 2013 on your project. Drawing together stages 4, 5 and 6 this book explains what needs to have been achieved for Technical Design to begin, how to achieve success in the construction phase as well as the importance of a comprehensive Handover Strategy. Providing a practical tool to running an efficient project each guide follows the same format leading you through the core tasks at each stage supported by tips, definitions, templates and useful techniques. Five theoretical scenarios are used throughout the guides to illustrate how the Plan of Work can be applied on various project types and sizes including an extension to a house, a new library and a large office building. These guides will provide unrivalled support for practices on all projects - large and small - and across all types of procurement.
Protoarchitecture by
The illusive and uncertain world of translating ideas into matter is a negotiation between the ideal and the real and a central preoccupation of architectural production. By invading the toolbox of digital fabrication, design has transgressed into protocols of manufacturing previously the domain of other disciplines and skills sets. Craft, assembly and installation, once the realm of trades, are qualities that are now dependent upon design information and its status as an instruction to make. The ensuing loop between the physical and tactile, the imaginary and speculative, has defined a new expectation in making architecture as a construct that is part real, part ideal. With contributions from Lebbeus Woods, Evan Douglis, Theo Jansen, Shin Egashira and many more, Protoarchitecture presents an explicitly diverse collection of works from leading and emerging practitioners, educators, researchers and visionaries from all corners of this innovative field.
Structural Engineering for Architects by
This book gives students of architecture an understanding of the fundamental theories and practice behind the creation of architectural structures, helping them to develop an intuitive understanding of structural engineering. The book is divided into four sections: "Structures in nature" looks at structural principles found in natural objects. "Theory" covers general structural theory as well as explaining the main forces encountered in engineering. "Structural prototypes" includes examples of modelmaking and load testing that can be carried out by students. The fourth section, "Case studies", presents a diverse range of examples from around the world - actual buildings that apply the theories and testing described in the previous sections. The straightforward, informative text is illustrated with specially drawn diagrams, historical examples, models, CAD visualizations, construction details, and photographs of completed buildings. As well as providing a valuable reference and sourcebook, the book will give students and newly qualified architects the technical confidence to collaborate with structural engineers.
Introduction to Architectural Technology by
Understanding the relationship between design and technology is critical to the understanding of architecture. Aimed clearly at architectural students, this book provides an accessible introduction to all aspects of architectural technology: structural physics, structural elements and forms, heating, lighting, environmental control, and computer modeling. As well as providing a clear grounding in these topics, it will also help students to integrate their design thinking with appropriatestructural and environmental solutions. The book sets out to explain the relationships between physical phenomena, materials, building elements, and structural types using simple classification systems and real world examples. Photographs are used to familiarize the user with common construction technology, while historical examples are employed to chart significant moments in the history of architectural engineering. Every topic area is accompanied by a set of cross-references for further reading and research. In addition, this volume explores current computer techniques for assisting students to predict the structural and environmental behavior of buildings. It also uses historical precedents to explain how the success of a technology is directly related to its cultural context. Written by three experienced teachers, this book will be invaluable for those contemplating the study of architecture and for those already embarked on such a course.
AAD, Algorithms-aided design by
Algorithmic design is not simply the use of computer to design architecture and objects. Algorithms allow designers to overcome the limitations of traditional CAD software and 3D modelers, reaching a level of complexity and control which is beyond the human manual ability. Algorithms-Aided Design presents design methods based on the use of Grasshopper®, a visual algorithm editor tightly integrated with Rhinoceros®, the 3D modeling software by McNeel & Associates allowing users to explore accurate freeform shapes. The book provides computational techniques to develop and control complex geometries, covering parametric modeling, digital fabrication techniques, form-finding strategies, environmental analysis and structural optimization. It also features case studies and contributions by researchers and designers from world's most influential universities and leading architecture firms.
Prototypes : the work of Cepezed by
In the past few decades, cepezed has gained renown with transparent, sustainable and technologically progressive architecture that is remarkably usable and humane. Unaffected design, sober but stylish materialization, and careful finishing are just as characteristic of Cepezed’s oeuvre as the integration of spatial and construction-technical aspects. The design and building processes at cepezed are also integrated: the use of prefab components and the application of industrial building methods guarantee an optimum alignment of design and realization, in which time, quality, and costs are meticulously planned and controlled. Prototypes documents a large number of key projects and deals extensively with the various aspects of product development, building process and architecture. The layout and form of the book make it very similar to a cepezed design: celar, logical and efficient. It offers very incisive insight into the office philosophy that cepezed has drawn straight through architectural history. In addition to the timeless aesthetic pleasure that can be experienced in the designs and the craftmanship displayed at detail level, the much-discussed role of the architect in the design process today is examined in the book. A must read for every architect who wrestles with the threatened depreciation of the discipline.
Atmospheres by
What "really constitutes an architectural atmosphere"? Peter Zumthor says, is "this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way." Zumthor's passion is the creation of buildings that produce this kind of effect, but how can one actually set out to achieve it? In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him. From the composition and "presence"‎ of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design.
