On Abortion by
On Abortion is the first part of Laia Abril's new long-term project, A History of Misogyny. The work was first exhibited at Les Rencontres in Arles in 2016 and awarded the Prix de la Photo Madame Figaro and the Fotopress Grant. Abril documents and conceptualises the dangers and damage caused by women's lack of legal, safe and free access to abortion. She draws on the past to highlight the long, continuing erosion of women's reproductive rights through to the present-day, weaving together questions of ethics and morality, to reveal a staggering series of social triggers, stigmas, and taboos around abortion that have been largely invisible until now.
Monsanto : a photographic investigation by
In the USA, the dozens of Monsanto sites have been classified as sensitive zones by the Federal Environmental Agency due to the sites' activities, which have already had grave consequences for human health and for the environment. For the sake of mankind and the environment, scientists and institutions have sounded the alert.This photographic investigation sets out to observe Monsanto site practices in order to understand the impact of their activities on people and the environment. The jury's unanimous choice for the Dummy Book Award at the Fotobook Festival Kassel 2016, the book offers a photographic journey through the past and present of the chemical industry. Using an original graphic approach, it brings together archive documents, as well as portraits and landscapes of the people and places affected by the environmental consequences of the Monsanto sites' production. The book was also commended by the Luma Dummy Book Award jury at the Rencontres photographiques d'Arles 2016.
Union by
Noel Bowler's photographs document the interior spaces of trade union offices in fourteen different countries--Ireland, Britain, France, Russia, Germany, Scandinavia, Canada, and the United States, all with distinct cultural and historical differences. The series provides a glimpse into the normally unseen spaces where the decisions and policies are created that affect so many. These offices share commonalities in terms of bureaucratic and organisational structures--an iconography oforganized labor. Combining photographs of these interior spaces with portraits of union leaders,Union is a journey through an anxious world where the apparent certainty of the past faces an unknown future. DAS AUF AMAZON.DE ANGEGEBENE ERSCHEINUNGDATUM BEZIEHT SICH NUR AUF USA. DER TITEL IST IN EUROPA BEREITS LIEFERBAR, AUCH DURCH AMAZON.DE / THE PUBLICATION DATE INDICATED HERE IS ONLY FOR USA. THIS TITLE IS ALREADY AVAILABLE IN EUROPE, ALSO ON AMAZON.DE
Double Take by
Forty of the world's most iconic images, meticulously reproduced in miniature by two Swiss photographers Double Take presents forty astonishingly accurate reconstructions of iconic photographs--ranging from the earliest known to the world's most expensive. These images have been painstakingly re-created in miniature by two photographers, Jojakim Cortis and Adrian Sonderegger. Inspired by the record auction price of $4.3 million set by Andreas Gursky's Rhein II in 2011, the duo set themselves a challenge: could they reconstruct that image in their Zürich studio? The photograph they created from a miniature diorama of Rhein II was a success and became a starting point for a larger personal project:a series of photographs of these miniature re-creations the team made themselves, imitating iconic photographs that captured pivotal historical events. A technical tour de force, Double Take asks of image making: can the image ever be trusted? With images showing the reconstruction process, a supporting essay, and an in-depth interview with the photographers, Double Take is for lovers of photography or miniatures--with a twist.
Girl on Girl: art and photography in the age of the female gaze by
A new generation of female artists is emerging who have grown up in a culture saturated with social media and selfies. This book looks at how young women are using photography and the internet to explore issues of self-image and female identity, and the impact this is having on contemporary art. Forty artists are featured, all of whose principal subject matter is either themselves or other women. Each is accompanied by a short profile based on personal interviews with the author, giving a fascinating insight into this exciting shift in female creativity.
Caspian: the Elements by
Caspian: The Elements is Chloe Dewe Mathews's record of five years spent roaming the borderlands of the Caspian Sea. In a resource-rich region roiled by contested geopolitics, Dewe Mathews found that elemental materials like oil, rock, and uranium are central to the mystical, practical, artistic, religious, and therapeutic aspects of daily life. With essays by Morad Montazami, Sean O'Hagan, and Arnold van Bruggen, Caspian: The Elements offers a series of powerful visual narratives that explore the deep links between the peoples of the Caspian and their enigmatic and coveted landscapes. Copublished by Aperture and Peabody Museum Press
Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness by
"These feel like images you might have dreamed, both of the kind that slip away and the ones you manage to keep tenuously in your grasp, slippery, otherworldly. . . . Before our eyes, Zanele Muholi transforms into a mother, a domestic worker, an Afrofuturist, an oracle. It's fiction and it is not."--Yrsa Daley-Ward, The New York Times Book Review Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is the long-awaited monograph from one of the most powerful visual activists of our time. The book features over ninety of Muholi's evocative self-portraits, each image drafted from material props in Muholi's immediate environment. A powerfully arresting collection of work, Muholi's radical statements of identity, race, and resistance are a direct response to contemporary and historical racisms. As Muholi states, "I am producing this photographic document to encourage individuals in my community to be brave enough to occupy spaces--brave enough to create without fear of being vilified. . . . To teach people about our history, to rethink what history is all about, to reclaim it for ourselves--to encourage people to use artistic tools such as cameras as weapons to fight back." With more than twenty written contributions from curators, poets, and authors, alongside luxurious tritone reproductions of Muholi's images, Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is as much a manifesto of resistance as it is an autobiographical, artistic statement.
The Photobook: A History Vol I by
Volume 1 of a comprehensive illustrated history of the photo book.
The Photobook: a History Volume II by
This book provides a unique perspective on the story of photography through the particular history of the photobook. The second of two extensive volumes, it completes Martin Parr and Gerry Badger's study of the major trends and movements that have shaped the photobook genre since the birth of photography. It represents a valuable catalogue of rare and important photobooks. This volume continues where Volume 1 left off by bringing the story of the photobook fully up to date.
The Photobook: a History Volume III by
The third volume in an authoritative and comprehensive series, The Photobook: A History volume III provides a unique perspective on the story of contemporary photography through the genre of the photobook. Continuing in the vein of the first two volumes, Volume III is a study of the major trends and movements that have shaped the photobook genre globally since the birth of photography in the early nineteenth century. Volume III pays particular attention to photobooks published after World War II, covering contemporary themes of modern life, from diaristic photography of place and people to twentieth-century propaganda books and some of the finest works to emerge from the recent self-publishing boom. The Photobook volumes represent a valuable catalogue of rare and important photobooks, and since Phaidon published Volume I in 2004, are now regarded by academics, students and photobook bibliophiles as the definitive works on this subject.
There Are No Homosexuals in Iran by
While most Western nations now officially accept homosexuality, in Iran it is still punishable by death. The only options for a homosexual in Iran are to choose transsexuality, which is tolerated by law, or to flee. The subjects of Iranian photographer Laurence Rastis (b. 1990, Geneva) elegant hardcover photo book live in the small Turkish town of Denizli, where hundreds of gay Iranians are waiting to move to a tolerant country. Rasti explores concepts of beauty, identity and gender in her spare and evocative images set in landscapes, mundane settings and street scenes, creating a new language of camouflage and discretion. Underlining the contrast between conspicuousness and obscurity, Rastis couples hide behind eye-catching props such as balloons or flowers or are glimpsed behind trees or bushes. She hides her subjects in plain sight, referencing the experience of these individuals who do not exist in Iran. Rasti was the Aperture Portfolio Award Finalist and Magnum Photo Award Jurors Pick (2016).
Toy Soldiers by
A unique collaboration between Thorpe, a military commander and the men under his command. Through real soldiers - posed as toy soldiers - he reveals the current situation in Western Sahara, a nation in waiting trapped in an historic cycle of colonial conflict, displacement and endless non-resolution. Shot entirely on location in the isolated and hauntingly beautiful territory.
How to Secure a Country by
Switzerland is well-known as one of the safest countries on earth and as a prime example of efficiency and efficacy. One of the central reasons that such a country exists is the development of a culture based on protection, which is supported by the presence and production of national security. When in 2014 Swiss people voted in favour of a federal popular initiative against massive immigration, Salvatore Vitale, an immigrant living in Switzerland felt the need to research this phenomenon in order to comprehend where the motives for this constant need for security originate and how they became part of Swiss culture. In How to Secure a Country Vitale explores this country s national security measures by focusing on matterof-fact types of instructions, protocols, bureaucracies, and clear-cut solutions which he visualises in photographs, diagrams, and graphical illustrations. The result is a case study that can be used to explain the global context and the functioning of contemporary societies Essays by political scientists Jonas Hagmann (ETH Zurich) and Roland Bleiker (University of Queensland, Australia) provide an analysis of the structure of the Swiss security system and a view on the politics of photography. Lars Willumeit, curator and social anthropologist, will discuss attitudes, behaviours, and codes in 21st Century statehood. 118 illustrations
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