The Modernist Novel by
Leading scholar Stephen Kern offers a probing analysis of the modernist novel, encompassing American, British and European works. Organized thematically, the book offers a comprehensive analysis of the stunningly original formal innovations in novels by Conrad, Joyce, Woolf, Proust, Gide, Faulkner, Dos Passos, Kafka, Musil and others. Kern contextualizes and explains how formal innovations captured the dynamic history of the period, reconstructed as ten master narratives. He also draws briefly on poetry and painting of the first half of the twentieth century. The Modernist Novel is set to become a fundamental source for discussions of the genre and a useful introduction to the subject for students and scholars of modernism and twentieth-century literature.
The New Cambridge Companion to Joseph Conrad. (Print copy) by
Joseph Conrad's centrality to modern literature is well established. The New Cambridge Companion to Joseph Conrad provides essential guidance to varied developments in the field of Conrad studies since the publication of The Cambridge Companion to Joseph Conrad (1996). The volume's thirteen chapters offer diverse perspectives on emergent areas of interest, including canon formation, postcolonialism, gender, critical reception and adaptation. Likewise, chapters on Conrad's autobiographical writings, Heart of Darkness and 'The Secret Sharer', consider recent trends in both literary and cultural studies. A chronology and an updated guide to further reading serve to provide essential orientation to a large and complex field. This volume is the ideal starting point for students new to Conrad's work as well as for scholars wishing to keep abreast of current issues.
James Joyce in Context by
This collection of original, cohesive and concise essays charts the vital contextual backgrounds to Joyce's life and writing. The volume begins with a chronology of Joyce's publishing history, an analysis of his various biographies and a study of his many published and unpublished letters. It goes on to examine how his works were received in the main twentieth-century critical and theoretical schools. Most importantly, it places Joyce within multiple Irish, British and European contexts, providing a lively sense of the varied and changing world in which he lived, which formed him, and from which he wrote. The essays collectively show how Joyce was rooted in his times, how he is both a product and a critic of his multiple contexts, and how important he remains to the world of literature, criticism and culture.
The Cambridge Introduction to Modernism. (Print copy) by
More than a century after its beginnings, modernism still has the power to shock, alienate or challenge readers. Modernist art and literature remain thought of as complex and difficult. This introduction explains in a readable, lively style how modernism emerged, how it is defined, and how it developed in different forms and genres. Pericles Lewis offers students a survey of literature and art in England, Ireland and Europe at the beginning of the twentieth century. He also provides an overview of critical thought on modernism and its continuing influence on the arts today, reflecting the interests of current scholarship in the social and cultural contexts of modernism. The comparative perspective on Anglo-American and European modernism shows how European movements have influenced the development of English-language modernism. Illustrated with works of art and featuring suggestions for further study, this is the ideal introduction to understanding and enjoying modernist literature and art.
Death, Men, and Modernism. (Print copy) by
Death, Men and Modernism argues that the figure of the dead man becomes a locus of attention and a symptom of crisis in British writing of the early to mid-twentieth century. While Victorian writers used dying women to dramatize aesthetic, structural, and historical concerns, modernist novelists turned to the figure of the dying man to exemplify concerns about both masculinity and modernity. Along with their representations of death, these novelists developed new narrative techniques to make the trauma they depicted palpable. Contrary to modernist genealogies, the emergence of the figure of the dead man in texts as early as Thomas Hardy's Jude the Obscure suggests that World War I intensified-but did not cause-these anxieties. This book elaborates a nodal point which links death, masculinity, and modernity long before the events of World War I.
Dubliners (Print Copy) by
Joyce's first major work, written when he was only twenty-five, brought his city to the world for the first time. His stories are rooted in the rich detail of Dublin life, portraying ordinary, often defeated lives with unflinching realism. He writes of social decline, sexual desire and exploitation, corruption and personal failure, yet creates a brilliantly compelling, unique vision of the world and of human experience. 'Joyce redeems his Dubliners, assures their identity, and makes their social existence appear permanent and immortal, like the streets they walk.' Tom Paulin
The Secret Agent (print Copy) by
'An impenetrable mystery seems destined to hang for ever over this act of madness or despair.'Mr Verloc, the secret agent, keeps a shop in London's Soho where he lives with his wife Winnie, her infirm mother, and her idiot brother, Stevie. When Verloc is reluctantly involved in an anarchist plot to blow up the Greenwich Observatory things go disastrously wrong, and what appears to be 'ASimple Tale' proves to involve politicians, policemen, foreign diplomats and London's fashionable society in the darkest and most surprising interrelations.Based on the text which Conrad's first English readers enjoyed, this new edition includes a critical introduction which describes Conrad's great London novel as the realization of a 'monstrous town', a place of idiocy, madness, criminality, and butchery.
Theorists of the Modernist Novel. (Print copy) by
Tracing the developing modernist aesthetic in the thought and writings of James Joyce, Dorothy Richardson and Virginia Woolf, Deborah Parsons considers the cultural, social and personal influences upon the three writers. Exploring the connections between their theories, Parsons pays particular attention to their work on: forms of realism characters and consciousness gender and the novel time and history. An understanding of these three thinkers is fundamental to a grasp on modernism, making this an indispensable guide for students of modernist thought. It is also essential reading for those who wish to understand debates about the genre of the novel or the nature of literary expression, which were given a new impetus by the pioneering figures of Joyce, Richardson and Woolf.
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Modernism : a Cultural History (Print Copy) by
The last 20 years has seen an explosion of work on literary modernism and its cultural and historical contexts. In this innovative study aimed at a general audience, Tim Armstrong seeks to define modernism not only by its aesthetics and literary genres but also by its links with broader cultural areas in which the 'modern' is implicated and debated, and which inform its representational modes. Modernism: A Cultural History explores modernism's struggle with a split temporality in which the old and the emerging new struggle, and in which, with the horror of the Great War, notions of a traumatic or 'frozen' time emerge. It considers such topics as modernism, market culture and obscurity; the culture of science and technology; politics, economics, eugenics, and sexology; primitivism and race; cinema and sound recording; gender and modernism; and the study of consciousness and the senses. It portrays modernism less as a movement in revolt from the modern world than as attempting to engage with that world: the cry of 'reform!' which characterizes much of post-enlightenment thought is used to describe modernist writers' engagement with politics or bodies as well as with inherited style. In this wide-ranging study, a parade of writers - from the canonical like Pound, Eliot and Woolf to less well-known figures like Mary Butts, Muriel Rukeyser and Sterling Brown - are considered, and literary movements like Imagism, Surrealism and the Harlem Renaissance are drawn into the debate. Students and scholars alike, of Modernism and Twentieth Century Literature, will find the breadth, clarity and fresh approach of this text invaluable.
Virginia Woolf : Feminism and the Reader (Print Copy) by
This study argues that Virginia Woolf taught herself to be a feminist artist and public intellectual through her revisionary reading. Fernald gives a clear view of Woolf's tremendous body of knowledge and her contrast references to past literary periods
Modernist literature: an introduction (Print Copy) by 
Key Concepts in Modernist Literature (Print Copy) by
Introducing the dynamic study of a literary period stretching from 1900 to the Second World War, the book reflects the exciting mix of European avant-garde, writers of the Harlem Renaissance and regional voices within Britain. Three distinct sections explore the major concepts, themes and issues that characterise the literature.
Modernism: an Anthology of Sources and Documents (Print Copy) by
Modernism is the movement which attempts to redefine the relationship between art and life, seeking to establish a mode of thought to account for new and radical practices in both realms. This anthology is a guide to the Modernist movement in literature and it aims to provide students, researchers and teachers of Modernism with a comprehensive documentary resource. Covering a wide range of intellectual concerns of the period 1850-1940 in Britain, Europe and America the anthology draws on contemporary essays, reviews, articles and manifestos of the political and aesthetic avant-garde. The material selected comprises a concrete expression of the culture of modernity, providing insights into the origins, contexts and various manifestations of the Modernist movement.
Modernisms: a Literary Guide (Print Copy) by 
The Cambridge Introduction to Joseph Conrad (Print Copy) by
Joseph Conrad is one of the most intriguing and important modernist novelists. His writing continues to preoccupy twenty-first-century readers. This introduction by a leading scholar is aimed at students coming to Conrad's work for the first time. The rise of postcolonial studies has inspired interest in Conrad's themes of travel, exploration, and racial and ethnic conflict. John Peters explains how these themes are explored in his major works, Nostromo, Lord Jim and Heart of Darkness, as well as his short stories. He provides an essential overview of Conrad's fascinating life and career and his approach to writing and literature. A guide to further reading is included which points to some of the most useful secondary criticism on Conrad. This is a most comprehensive and concise introduction to studying Conrad, and will be essential reading for students of the twentieth-century novel and of modernism.
Modernity (print Copy) by
This exciting volume in the Transitions series explores both history and contemporary ideas, pushing forward the boundaries of what we understand by 'modernity'. This book is distinguished from its competitors by its clear focus on close readings of commonly-studied texts and a strict policy on writing for an undergraduate readership.
Palgrave Advances in James Joyce Studies (Print Copy) by
Palgrave Advances in James Joyce Studies is a comprehensive guide to new critical approaches to Joyce studies. Topics covered include Joyce and Intertextuality, Joyce and Gender, Joyce and Politics, Joyce and Geography, and Joyce and Science. Contributors include Brandon Kershner, Michael Groden, Margot Norris, Vicki Mahaffey, Joseph Valente and Ronald Bush. A chronology and guide to further reading are also included.
Modernism and After : English literature 1910-1939 (Print Copy) by
Critical introductions to a range of literary topics and genres. Modernism and After focuses on those writers working in English between 1910 and 1939 whose work signalled a dramatic change in the sense of what art could and should be. An overview of Modernism is provided, but the book recognises that the term should not become a strait-jacket into which we try to fit a writer's individual distinctiveness. Rather, siginificant poetry and prose works are explored in the light both of the events of the time and of other 'modernist' developments in areas such as music, architecture and the visual arts.
The Modernism Handbook (Print Copy) by
Literature and Culture Handbooks are an innovative series of guides to major periods, topics and authors in British and American literature and culture. Designed to provide a comprehensive, one-stop resource for literature students, each handbook provides the essential information and guidance needed from the beginning of a course through to developing more advanced knowledge and skills. Written in clear language by leading academics, they provide an indispensable introduction to key topics, including: ? Introduction to authors, texts, historical and cultural contexts ? Guides to key critics, concepts and topics ? An overview of major critical approaches, changes in the canon and directions of current and future research ? Case studies in reading literary and critical texts ? Annotated bibliography (including websites), timeline, glossary of critical terms. The Modernism Handbook is an invaluable introduction edited by Philip tew and Alex Murray to British Modernism as a literary movement.
Writing London volume 3: Inventions of the city (Print Copy) by
This book stages a series of interventions and inventions of urban space between 1880 and 1930 in key literary texts of the period. Making sharp distinctions between modernity and modernism, the volume reassesses the city as a series of singular sites irreducible to stable identities, concluding with an extended reading of The Waste Land .
